Exhibition Essay for Moult
by Swati Piparsania, Solo Exhibition at Subtitled NYC, 2023


Exhibition Essay for chocolate milk cow milk
by Mimi Park, Solo Exhibition at Thomas Park, 2023


In the Galleries: Sculptures take us beyond the conventional (review on Unspoken Volumes)
by Mark Jenkins, The Washington Post, 2022


‘Unspoken Volumes’ reinvisions the relationship between art, view and space
by Winter Hawk, The Diamondback, 2022


The Stamp Gallery Blog

• An Introduction to Hae Won Sohn’s Solo Exhibition; Humbled by Unspoken Volume by Isabella Chilcoat
  
• A flower in plain sight: Connections between Hae Won Sohn’s “Wallflower (orchid)” and the Papilionanthe Miss Joaquim of Singapore by James Cho
• Lion Heart: More than Just a Name by Ellen Zhang
• Beyond Words in Unspoken Volumes: Motifs of Duality and the Conceptual “Double” by Hannah Zozobrado

In the Galleries (review on Tertium Quid)
by Mark Jenkins, Washington Post, 2021


Hae Won Sohn on the Wonderful, Messy, and Ever Optimistic Sides of Being an Artist
Interview with Lindsay Marsh, Kinship + Craft, 2021


Hae Won Sohn, 2021 Sondheim Finalist
by Bret McCabe, Bmore Art, 2021


Featured Artist Interview
Questions by Andreana Donahue, Maake Magazine, 2020


Make, Break, and Reassemble: An Interview with Hae Won Sohn
Words by Suzy Kopf, BmoreArt, 2020


Exhibition Essay for Monologue Aside
by Rod Malin, Solo Exhibition at Emmanuel Barbault Gallery, 2020


Galerie Magazine Special Emerging Artist Issue, 2019


These 13 Ceramic Artists are Reshaping the Medium
by Grace Ignacia See, Artzine of the Artling, 2019