‘Unspoken Volumes’ reinvisions the relationship between art, view and space
by Winter Hawk, The Diamondback, 2022


A flower in plain sight: Connections between Hae Won Sohn’s “Wallflower (orchid)” and the Papilionanthe Miss Joaquim of Singapore
by James Cho, The Stamp Gallery Blog, 2022
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An Introduction to Hae Won Sohn’s Solo Exhibition; Humbled by Unspoken Volumes
by Isabella Chilcoat, The Stamp Gallery Blog, 2022


In the Galleries (review on Tertium Quid)
by Mark Jenkins, Washington Post, 2021


Hae Won Sohn on the Wonderful, Messy, and Ever Optimistic Sides of Being an Artist
Interview with Lindsay Marsh, Kinship + Craft, 2021


Hae Won Sohn, 2021 Sondheim Finalist
by Bret McCabe, Bmore Art, 2021


Featured Artist Interview
Questions by Andreana Donahue, Maake Magazine, 2020


Make, Break, and Reassemble: An Interview with Hae Won Sohn
Words by Suzy Kopf, BmoreArt, 2020


Monologue aside
by Rod Malin, Catalogue essay for solo exhibition at Emmanuel Barbault Gallery, 2020


Galerie Magazine Special Emerging Artist Issue, 2019


These 13 Ceramic Artists are Reshaping the Medium
by Grace Ignacia See, Artzine of the Artling, 2019